Even Futile Arguments Can Inspire Poetry

Even Futile Arguments Can Inspire Poetry

Good Night, Sisyphus

I—who once believed we could achieve
that ideal world if only we weren't stuck within,
     content with,
          benefitting from
               the status quo—
concede. Tap out. Exhausted, all my arguments
are spent, they lie in tatters, bloodied whispers
     schoolyard taunts,
          the sticks and stones—
               bones flogged 
across a futile battlefield. I haven't breath 
enough to launch a fresh attack. You win—
knocked the wind right out of me, and I
admit that this is how it's ever been.
I never wanted change
     for sake of change but clinging
          to old ways, old enmities,
               some need 
for one to lose while others win
has brought us to this place where hope's
     laid waste.
          I will dig its grave
               with bare hands
your proffered shovel is too tempting.
For now, I look across a timeline 
     stretch of years
          that vanish
               on a cold horizon -
tarry blacktop glistens in the sun. I set
my weary feet to walking towards
     a dying star
          keep walking
               towards the silence
till familiar noise and heat come raging
towards the last of us, incinerating all.

Today’s a new day. No planet-killing event ended us in our sleep. Another chance to get it right, but I am pessimist enough to be 100% certain that we won’t – not today, not in my lifetime, and maybe never. You might think this was written to today’s prompt from Robert Brewer, but it’s not – I started it yesterday. Maybe later I’ll try a more optimistic take, but for now, I just thank Chris A. for helping me see how utterly futile idealism is, even when it is glued like a boulder to the soul.

Jump Scare

Jump Scare

Jump Scare

There’s creepy music on the stair
despite nobody being there
no boom-box on the landing sits
and I am scared out of my wits
because I know how this one goes
(and every movie villain knows)
the ingenue without a clue
(as ingenues are wont to do)
walks slowly up the steps – so dark –
you’d think the family dog would bark
at the intruder we’re aware
should our insoucient damsel dare
ascend those steps where he stands ready
(ten knife-sharp fingers has our Freddy)
ready to eviscerate
our heroine, but now he’s late
the curtain falls, relief from dread!
Until the sequel, when she’s dead.


Rarely does a prompt yield the best poetry, but it’s good for waking up a sluggish brain. Or, as Richard Hugo wrote, “One way of getting into the world of the imagination is to focus on the play rather than the value of words—if you can manage it you might even ignore the meanings for as long as you can, though that won’t be very long.” Not sure how imaginative this is, but the prompt Robert Brewer gave us to work with, today, was to write a “trope poem.” How is it that we know the tropes – they are, by definition, cliché – and yet, they can still make us feel something like fear or anticipation? It cannot be that we expect something new and surprising. Sequels work precisely because we know what to expect and however bitterly we complain when we get exactly what we knew we’d get, we keep spending money going back for more of the same. Maybe in a world that’s changing so fast, the superficial fantasy isn’t the fantasy at all – the predictability of the storyline is.

Naani Naani November’s Here!

Naani Naani November’s Here!

Entranced

“Are you all right?” he asked, and I
stared down the dim-lit tunnel of the past
entranced by ghosts who flickered into view
and one by one began to drift, themselves 
entranced and drawn into a halo-snare
of amber light. So deep within my reverie was I,
I did not feel the cold as he removed
his warm hand from my arm. I did not feel
him drift away despite the chill, the gooseflesh
cold and damp along my spine. Long-buried 
specters stealthily crept near, replacing him 
with all they had to offer me—
cold cowardice and death.

The prompt for this poem appears at November PAD Chapbook Challenge Archives – Writer’s Digest – Day 1. I’m not even pretending to play catch-up at this point, but credit for inspiration where credit’s due, eh?


Naani Naani Boo Boo

Schoolyard taunts—
defiant defense
against a bully
whose battle cry
stings like sticks and stones.

The form used for the poem, “Naani Naani Boo Boo,” above, is called a “naani.” It is a Telugu form – each line having 3-5 syllables and no more than 20-25 syllables, in total. It is a syllabic form ported from a language unlike English which, in my opinion, makes it less suited to English poetry than many other forms. I feel this way about most syllabic verse, including the ever-popular haiku. But I was introduced to it by Barbara Ehrentreu, and challenged to write one, so here we are. I chose the title to amuse our friend Stephen Bagley, who said we’d never be able to hear the name of the form and not think “Naani Naani Boo Boo.” That led to the subject of the poem.


Poetry in Texas and Other States

Poets: Are you aware of your state’s poetry society and what it has to offer? That members are also members of the National Federation of State Poetry Societies?

Texas poets: Are you a member of the Poetry Society of Texas? If not, why not? It’s easy to join – just visit https://poetrysocietyoftexas.org/join/. You can email a photocopy of the form and pay dues online.

For Once

For Once

Summer. The season for killing this blog. Fall. A time of resurrection. There’s a rhythm to it – maybe it’s a sort of free-verse poetry. No rhyme or reason. Short lines, long lines, dramatic pauses – then the volta between summer lassitude and fall’s invigorating chill. Years ago, I wrote a post about this – and if you’ve landed here looking for something like “how do I answer a call on my Samsung Galaxy blah blah blah” keep reading, because I have good news for you if you’re patient.

But first, the old post

It’s a little dysfunctional, this business of killing off my blog once or twice a year, just so I can revive it.

I love a challenge.

But I loathe dishonesty. The fact is, it has taken me nearly two decades to grudgingly agree with a blog post I read in the late 1990s, likening blogging to self-indulgent, introspective navel-gazing. The thought that skipped right past that conclusion and onto the bullet train to blogging burnout was, “Who the hell wants to read the lint-pickings from my bellybutton?” They were so deadly dull, so repetitive, I didn’t even want to expend the energy to type them up, anymore. Commentary on the newsworthy events of the day? Not really in the mood to sprinkle outrage like salt, chew memes, and regurgitate logic, today.  I blew 20,000,000 invisible BTUs into my imaginary hot air balloon and drifted away, leaving the sky to the professional commentators.

Depression is an insidious, creeping thing with tendrils that take hold in a brain like ivy on crumbling, stucco walls. In my case, it’s more like root rot than drama. There’s nothing “wrong.” Honestly. It’s not a deep, dark howling abyss. Just a rusted give-a-damn missing a crank shaft, or something. It growls, but refuses to roar back to life. I’m bored of myself. I’m bored of people. Not you, Dear Reader – I could never tire of you. But I am oh-so-weary of that amorphous, amoeba-like entity known as “people.” And I cannot escape its gel-like pull; I, too, am “people.” A bit of goo, just helping to hold the whole intact, no more or less interesting than the rest of the goo.  But to write, a writer needs to see the individuals drops in all their iridescent glory – to be able to pull the sweet and brittle threads from the thick-headed mass like a candy  maker.

But I don’t want to turn up the flame, either.

And oddly, I can be a very happy depressed person. I’ve been having a fun year, so far. A really good year! Maybe it’s just my “Muse” who’s depressed. Or pouting. Feeling neglected and ignored. “Don’t feel like writing? Fine. See if I care. No words for you.” She sulks in the corner, plucking cobwebs from her scowl.

“Whatever.” I revel in the silence. I listen to other people’s music.

“You could make shit up with the best of them,” she whispers, sucking a spider’s toes.

“If I were evil…”

“No, no, no.” She stands, her red hair flaming. “It’s only fiction that lets us tell the real truths.” Green eyes flashing, she extends a hand and offers me a spider.

“Shhhh,” I hiss, stepping back. “I just want to lie a while.”

“Suit yourself. If you can.” She pops the spider into her mouth, and I hear the unmistakable crunch of words.

Be patient…

For Once

I was looking at the blog stats, this morning, and realized that poetry had at last topped “how do I answer my phone” in searches leading readers here. But just barely. And while I’m grateful for any readers, most days, it makes me a little sad. I mean, that post about answering calls on Samsung Galaxy phones has been around since 2019 and people still can’t answer their phone. To be fair, they can’t answer it the way they want to, which is to tap the button on the lock screen once, not slide it towards the hang-up icon or use one of the side buttons. Such a seeminly small annoyance, and yet… This got me to thinking about other “seemingly small annoyances” and how much we take for granted. Which led to a poem. And more thoughts.

For once, I hate poetry
has overtaken how do Ianswer a call? I only wish
to tap the screen
not sliiiiiiide a button
(like those iPhone users do)
not skate my fingertip
across ice-smooth Gorilla glass - 
just tap. And yet, "accessibility"
gets in my way, at every turn.
That floating menace menu
dancing, mocking me as if 
to say we can 
inconvenience you 
and those who need us most.
And I am acutely aware, now
how grudging the accommodations -
how resentful they are. How
they are designed to make us 
all resentful 
of the little things. Like
sliding a finger
or feeling the cold stall
wall against a hip
where they removed inches
to make one - just one -
wide enough for a wheelchair
when they could have removed 
a sink. It hasn't worked
of course. It's only served 
to make me grateful 
for those stolen moments I 
would cheerfully give
that there, but by the grace
of fate, go I.

OK, fine…here’s your update

Galaxy users, if you’ve read this far: With the Galaxy 25+ (and maybe models before it) and Android 16, it’s easy – it’s no longer hidden behind the Accessibility menu. Just open Settings and search for “gesture to answer calls” and select “Tap” (or “Swipe” – ain’t choice grand?).

More for the “I hate poetry” folks

A couple of book recommendations:

First, just about anything by Billy Collins, to get you enjoying the reading of poetry. Forget your high school assignments and your teachers’ insistence on you picking apart meaning from T.S. Eliot’s “The Wasteland” or some dusty Shakespeare sonnet (though I do recommend you grown-ups take a closer look at #130).

Second, if you’re ready to try writing a few lines of your own, a delightful book I’ve just started reading: The Ode Less Traveled: Unlocking the Poet Within, by Stephen Fry.

All of you, go forth and have a marvelous day!
H.

November, New Beginnings

November, New Beginnings

Summer Hiatus

One of the things my husband and I dreamed of doing in retirement was to travel more. We finished visiting all of the states and started on National Parks. Between May and November, we have been to Utah to hike in Bryce Canyon and Zion National Parks; Calgary to explore Banff; Belgium for a family reunion with a side trip to The Netherlands; Pennsylvania – because my husband had never been to Pittsburgh or Philadelphia – I finally relented with the condition that we take a train around Horseshoe Curve and stop in Hershey for chocolate and for me to meet a cousin I’d never met face-to-face; Oregon to visit family and see Crater Lake and Deschutes National Forest; and the Dominican Republic to relax in Punta Cana and swim in a crystal clear lagoon at the tail end of hurricane season. That might have been slightly ill-timed, but we had fun and the weather was perfect. Until we left, and it wasn’t. We did get lashed (briefly) by some of Hurricane Melissa’s outer bands. I can only imagine, as one who lives in a hurricane-prone part of the Gulf of Mexico, the devastation in Jamaica, the Dominican Republic, Cuba, and the Bahamas. I would urge everyone to give what they can, despite challenging times, to aid in the day-to-day survival and recovery of the people in these islands. World Central Kitchen is an excellent place to start.

I didn’t write much poetry, despite (somewhat ironically) beginning my term as President of the Poetry Society of Texas on September 1. I thought that travel would inspire me to write, but what it inspired in me was mostly a desire to take long walks outside and to be lazy in between. Maybe that’s what’s meant by “recreation”: relaxation + time to reflect = creation.

From Utah, I sent poetry postcards to friends from one of my poetry writing groups.

Postcards from Utah

While in Utah, I learned my limitations. I don’t like limitations. But I learned that when the hiking map says “moderate” difficulty, it’s referring to elevation gain. And 600 feet down means 600 feet up, again, at some point. That’s the Sunrise to Sunset Loop at Bryce Canyon.

Never underestimate those trail ratings.

Eyeballs: “Easy-peasy. Look, it’s paved, even. Mostly. Sort of. Well, packed dirt and gravel.”

Me: “At least it’s not Cinder Cone.”

Trail rating: Moderate. Elevation gain: 600′.

Me: “That’s like, what, 6 stories?”

Brain: “You want me to math? On vacation? Fuck you. Try 60.”

Me: “And you’re waiting till I climbed DOWN already to tell me this? It’s 85° out here, and I have to climb the fucking Empire State Building – with no stairs?”

Brain: “Stop exaggerating. The Empire State Building is 1486 feet. This is half that. Get climbing. What goes down must come up. Remember: Cinder Cone was 813 feet and all gravel.”

Me, taking this picture about 2/3 of the way up Navajo Loop: “JJ, when you find this picture on my camera roll, send it to the kids and tell them, ‘This is where your mother died.'”

The empathetic laughter from other nearby hikers of all ages – also struggling – helped get me to the top.

At Zion, we stuck to the “easy” trails. I would have liked to hike The Narrows, especially after seeing children returning from the hike. Angel Falls? Oh, no, never. I won’t ever hike Half Dome at Yosemite, either. But The Narrows would be pleasant, I think, on a hot day.

Beechey Squirrel

Is it kindness to feed wildlife “snacks”? Or is it dangerous and selfish? I think most people mean well and merely want to establish a connection to those other beings we share the planet with. That connection might serve to tether us to nature, something too many of us hold ourselves separate and apart from. On the other hand, it fosters dependence in the animals who no longer have to work for their food, and carries a very real risk of spreading zoonotic disease to humans. That’s why there are signs warning of hefty fines – not to spoil the tourists’ fun, but to keep both animals and humans safe. Too many humans think they are the exception to the rule, or that “it can’t hurt, just this once.” All it takes is this once.

Spotted ground squirrel
unafraid of hikers,
playful siblings
squabble, tumble as one
bushy-tailed dustball.
A sign warns against
feeding plague rats.
The sign, the fine, mean
nothing to a kindly old man
from half a world away as
they nibble peanuts
from his fingers.

Parawon Gap Petroglyphs

Old news,
stories in stone,
ancient peoples left word
for weary travelers
coming from behind:
The roof caved in, killed many.
He pushed aside a wall,
brought many people low
out from place of suffering
to safety. We will make a place
for you.

Leaving a Mark

It’s human nature to want to leave a permanent mark, to say, “I was here.” This poem was inspired by my wondering why we revere ancient “graffiti,” like the stories written in petroglyphs in the Parawon Gap, but prohibit and punish leaving such a mark on a boulder or cliff, today. We build disposable buildings and fill ugly holes in the earth with our waste, but try etching your name and a date into a cliff and see how fast you wind up paying a hefty fine or spending time in jail.

Marks left by ancient ancestors
rest protected, precious - yet we erase ourselves, leave no trace,
dare not deface a humble rock,
a wall, a tree with even the tiniest proof that we
were here.

Dinosaur Tracks Recreation Area

Just a rockfall
from the petroglyphs
find layered rocks for climbing
here, imagine tracks of
dinosaurs - a Rorshach blot
of footprints frozen
in time.

Cedar Breaks

Jackie’s son got the mail and mistook this one for a suicide note. It was anything but – it was my longing to go where none but the ravens could go. You can see the spot, here in this photo – a high, rock-walled rectangle that contains a few trees.

I point far below. Tell him
this is where I live now. High
rock walls surround
a sunlit patch of sandy ground
tall pines, red rocks, colorful
layers of a hundred million years.
Raven laughs overhead. Thinks
no, this is where you die.
Alone. Silence broken by wind.
Strong winds, beating wings.
If I could get there, I add. Raven
laughs again. Good luck
getting out again. And there it is:
In my next life, let me be a raven.

Anniversary Getaway

When you’ve seen mountains like these, it spoils you for smaller ones.

We spent our anniversary in Calgary and Banff. Got some tail while we were at it—beavertail, that is. Wait, that doesn’t sound any better, does it? Here I am, unrepentant:

Hiking in Belgium

While we were in Belgium, I hiked in the Flemish Ardennes, where I found giants.

We visited Brussels, Antwerp, Ypres, Ghent, and Bruges. We definitely got our steps in! On the drive from Kluisbergen, a pleasant little town where we stayed most of the time, to Ypres, a comment by my husband made me a little sad. Although I love all the convenience of living in the suburbs of a big city, I prefer the woods and streams to the impermanent, often soulless, things put there for human convenience. I jotted this poem on my phone while he, no doubt, assumed I was doomscrolling on Facebook.

On the A19 to Ypres

Nice bridge, he says,
and there it is - the gap
in how we see the world.
I think the bridge a blight
that spans a river,
joining land to land,
to staunch its flow -
an ugly, man-made stitch
to bind the earth,
to slow the chasm
river-wrought, so they
can stride and straddle it
believing they are giants.

A sobering visit to the In Flanders Fields Museum in Ypres inspired me to read more poetry from WWI. Most of us know the poem, “In Flanders Fields” by John McCrae:

In Flanders fields the poppies blow
Between the crosses, row on row,
     That mark our place; and in the sky
     The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
     Loved and were loved, and now we lie,
          In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
     The torch; be yours to hold it high.
     If ye break faith with us who die
We shall not sleep, though poppies grow
          In Flanders fields.

I read this poem now in a different tone—less heroic and more naively warmongering. I have now seen what trench warfare really looked like: terrifying, claustrophobic, muddy, bloody. No one could come out unscathed. You who haven’t fought in war think you have “PTSD”? You have issues, but they can never compare to what used to be called “shell shock.” I think the poet Siegfried Sassoon captured it well and without fanfare in “Memorial Tablet (GREAT WAR)“:

SQUIRE nagged and bullied till I went to fight,         
(Under Lord Derby’s Scheme). I died in hell—          
(They called it Passchendaele). My wound was slight,       
And I was hobbling back; and then a shell     
Burst slick upon the duck-boards: so I fell
Into the bottomless mud, and lost the light. 

At sermon-time, while Squire is in his pew,  
He gives my gilded name a thoughtful stare:
For, though low down upon the list, I’m there;        
‘In proud and glorious memory’ … that’s my due.   
Two bleeding years I fought in France, for Squire:  
I suffered anguish that he’s never guessed.  

Once I came home on leave: and then went west…           
What greater glory could a man desire?

This line appears on a wall in the museum, not far from McRae’s more well-known poem:

I died in hell—          
(They called it Passchendaele)

Watch the movie 1917 a few times and you might begin to get a sense of the horror, but just the merest, safest, comfiest sense of it. I would like very much never to have occasion to write a first-hand war poem, though WWI seems to have inspired quite a lot of poetry in those who experienced it. I spoke with someone online, for a while, who claimed to be a soldier in Ukraine. I think most of the messages were written by AI and I’m about 98% sure it was a scammer, but that doesn’t invalidate one of the points they made – that poetry doesn’t have to be angry or activist, doesn’t have to call out injustice and what we’re fighting against. It is, perhaps, just as important—maybe moreso—for poetry to remind us what’s worth fighting for.

My husband and I spent a few days in Amsterdam, enjoying freshly-made Stroopwafels, chocolates, cheeses, excellent food, and windmills.

Pittsburgh?? Why Would You – OK, on Two Conditions

My husband has always wanted to go to Pittsburgh. Don’t laugh; it’s actually a lot nicer than I remembered it. Still, it’s…Pittsburgh! So for years, I balked. Finally, I relented, on two conditions: First, that we take a train around Horseshoe Curve, and second, that we stop in Hershey for chocolate and for me to make a Reese’s Peanut Butter Cup as big as my head. Bonus: I got to meet my cousin Amy for the first time. Second bonus: We spent a couple of days in Philadelphia. It’s not hard to talk me into visiting any place that has history.

My Husband Takes Me to the Best Volcanoes

When we got to Portland, it was afternoon and we had a long drive to make it to Crater Lake before dark. We made it, but it was cold, rainy, and foggy. We only got the tiniest hint of the breathtaking beauty that was to come. The next day was partly cloudy, with stunning moments of sunshine that let us see the whole of Crater Lake. We found a little secluded picnic area and enjoyed the sandwiches we’d bought that morning. Until a pesky bee started bothering us. I shooed it off. It returned, moments later, with a friend. The friend brought more friends. We took that as a sign that it was time to move on.

We stayed in Bend, OR. If I lived in Bend, I would go to the river and learn to surf. The gardens, trails, and parks are gorgeous. After exploring a few and getting our steps in, we enjoyed good food and rest. The last day, we hiked the lava fields before returning to Portland to visit family.

By now, friends are playing the “Where’s Holly?” version of “Where’s Waldo?” or “Where in the World is Carmen San Diego?”

Relaxing in the Dominican Republic

Would you travel to an island while a hurricane meandered off the coast, undecided as to where and when to turn? We had the Westin Puntacana almost to ourselves. The weather was perfect and perfectly tropical—warm, breezy, and sunny in the mornings with windy rain and thunderstorms in the afternoon that cleared in time for dinner and did not resume until we were safely ensconced in our room for the night.

The hurricane did not make its devastating turn until we were back home, and spared the easternmost side of the Dominican Republic, where we were, most of its destruction.

Melissa Comes to the Islands

Sunshowers and summer
lassitude, language languishing,
lazy. Heat-sapped mind-drift,
sargasso thoughts floating limp,
languishing with humidity. Brain bobbing
gently bouyed on throbbing waves
from distant storm-swept seas,
sandy shores. Palm-frond fingers frolic
on a breeze, click frantic warnings
as wind—dawn's waking whisper—
roars in with thunder, slides down
dark mountains, bearing an ocean sizzling
electric with lightning, lashing rain.

So I’m back, now. No big trips planned for the remainder of the year. The next little trip will be a weekend in Dallas for Poets in a Pumpkin Patch, the Poetry Society of Texas Annual Awards Banquet (luncheon, no ballgowns or tuxes required!). I’m told I’ve won a First Place prize in one or more of the 100 categories of the annual contest, which is exciting – it’ll be a first, and means those poems will be published in our annual anthology, A Book of the Year.

Speaking of Anthologies…

The latest anthology of short stories from the award-winning Pen & Keyboard Writers is now available for purchase from Amazon or Barnes & Noble online:

This year’s anthology features short stories from fourteen authors, all members of the Pen & Keyboard Writers, an affiliate of the Oklahoma Writers Federation Inc (OWFI).

Till next time!

H.