You Are Here: Day 25 of National Poetry Month

Apr 26, 2026 | Poetry, Writing

Day 25: National Poetry Month

Ars Poetica

I am a time-traveler. I reach into the void of tomorrow and pluck a prompt: โ€œto write your ownย ars poetica, giving the reader some insight into what keeps you writing poetry, or what you think poetry should doโ€โ€”but by the time itโ€™s posted, it is a relic of the past and overripe. I tuck myself into the velvet folds of time. Coffee-scented present lures meโ€”shoving me into the harsh light of โ€œnow.โ€ Reality is a bruising, concrete block of time, a fixed and aching point. The coffee grows cold and bitter. Ink is a river traversed with my pen, its winding tributaries flowing, branching, turning, rushing rapids, slowing โ€“ in conversation with a gathering of stones.

Poetry Forms Challenge: Prose Poetry

What is a โ€œprose poemโ€? I dive down rabbit holes and come up for air in great gulps. โ€œNobody knows.โ€ No matter how many burrows and warrens I crawl through, I keep arriving at the same conclusionโ€”a prose poem isโ€ฆa painting in words. It isnโ€™t a story with a clear beginning, middle, and end. It is more what publishers once called a โ€œslice of life vignette,โ€ usually preceded by the word โ€œno.โ€ It is a fragment, a moment, a mood, an emotion. It is visual and visceral, but it doesnโ€™t do all the work for the reader.

And isnโ€™t that what all good writing ought to be, or at least to include? Isnโ€™t that what the writer does? Paint images in a readerโ€™s mind to show the reader whatโ€™s in the writerโ€™s mind? Surely not with long, narrative passages describing each dust mote as it sinks and rises through the thermals of a slanted sunbeam to settle on a babyโ€™s toes. Not short and choppy, like the heavy thwack-slice of a guillotine as the pale head with its slender neck and wide-open eyes hits the hay for the last time. It doesnโ€™t tell a story, it unfolds one. It is not a destination; it is the red pin in a map that proclaims to the reader: โ€œYou are here.โ€

I once asked James Matthew Wilson, โ€œWhatโ€™s the difference between a prose poem and flash fiction?โ€ He suggested that if you wanted to write prose poetry, you ought to call it flash fiction if you want it to sell and be read. Thatโ€™s a good point. I see so many submissions guidelines and contest requirements that say, โ€œNO PROSE POEMSโ€ and yet, flash fiction is still popular. Write what you will; just be sneaky if you write prose poetry and call it something else.

People love to ask writers, โ€œWhat do you write?โ€ As someone who has written technical manuals, non-fiction articles, short fiction (any and every genre), childrenโ€™s books, flash fiction, erotica, blogs, poetryโ€”it might be simpler to ask, โ€œWhat donโ€™t you write?โ€ Because I finally figured out an answer to that one: I donโ€™t write about finance. I would rather wax poetic about the sound of paint drying.

Other National Poetry Month Posts

Your Turn!

What are your thoughts on prose poetry?

What donโ€™t you write?

Holly Jahangiri

Holly Jahangiri is the author of Trockle, illustrated by Jordan Vinyard; A Puppy, Not a Guppy, illustrated by Ryan Shaw; and the newest release: A New Leaf for Lyle, illustrated by Carrie Salazar.

She draws inspiration from her family, from her own childhood adventures (some of which only happened in her overactive imagination), and from readers both young and young-at-heart. She lives in Houston, Texas, with her husband, J.J., whose love and encouragement make writing books twice the fun.

2 Comments

  1. Erin Penn

    I write family, friends, companionship, struggle. The tip of laughter before belly aches. Helping others. Caring for yourself. Sometimes I write fear and heart, lust and famine. I write truth through lies others call fiction and I write instruction and discovery and principle grouped as non-fiction. What I don’t write is the weave of hate, the spear into others safety. I try to craft words for creation, not destruction, and when I discover some of my words knifed instead of soothed, I try to do better the next time.

    Prose poetry shares understanding through vibes; flash shares understanding through story. There is a distinct difference, but some people are capable of doing both at the same time.

    Reply
    • Holly Jahangiri

      ๐Ÿ™‚ I see what you did there…

      I like your phrase, “the weave of hate,” though I think the warp of hate, the weft of love might weave the tapestry of life. I’d write that. I wouldn’t want to incite the hate, though or let it shine in the foreground – I’d weave it in the dullest pale and umbral shades and let the brighter colors kick it into hiding.

      I kind of agree with you that flash fiction ought to have a beginning, middle, and end. To be a story. But does that mean prose poetry can’t be an entire story? I don’t think that’s the case. Doesn’t have to be, that much is certain. But I think there’s a lot of cross-over. I think that some paragraphs within a larger novel could count as prose poems, too, depending on the writer. Sometimes I wonder if we’ve blurred the lines past hope; other times, I wonder why we bother having lines.

      Reply

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